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Queen is unique among the great rock bands. It's been nearly 20 years since frontman Freddie Mercury's death brought the band to an end, yet their fan base remains massive, they appeal equally to men and women, and their fans are just as likely to be teenagers too young to have been born when the band were still touring and making records (thanks not least to the huge success of the musical We Will Rock You). Their musical history is one of constant reinvention—from heavy metal and prog rock to disco pop, stadium anthems, and even jazz influences. Now, having already interviewed the surviving band members over the years, Mojo journalist Mark Blake has tracked down dozens of new interviewees, from long-forgotten early bass players to Freddie Mercury's schoolmates, to deliver the definitive history of the band. He traces Queen's long career from their very first gawky performances in St. Helens, Merseyside through their sensational stage-stealing appearance on Live Aid to the band's collaboration with Paul Rodgers at the beginning of the century. Full of fascinating new revelations—especially about the improbable transformation of a shy Indian schoolboy called Bulsara into the outrageous-living hedonist that was Freddie Mercury—this is a book every Queen fan will want.
- Sales Rank: #1726249 in Books
- Published on: 2011-01-17
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x 1.50" w x 6.38" l, 1.77 pounds
- Binding: Hardcover
- 384 pages
Review
'Richly detailed biography...draws on extensive interviews' - Daily Telegraph
'Mark Blake matches the detail of his Pink Floyd book with a fluid, muscular narration of the band's rise. Crucially, he interviews the key players (which the other biographies don't.)' - Classic Rock magazine
'Presents the whole, splendid saga...sparkling anecdotes throughout.' - Mojo
'Genuinely adds to the fund of knowledge about this truly unique band.' - Record Collector
'Includes a highly interesting section on their origins...a well-researched account...A good choice for both Queen experts and more lightweight fans.' - Sunday Business Post
About the Author
Mark Blake writes for Mojo and Q magazines.
Most helpful customer reviews
50 of 55 people found the following review helpful.
Poorly written, not much new, obsessed with Freddie's sexuality, not the music
By Floyd Turbo
The book has a lot of flaws, not much new, is poorly researched, and is far more about Freddie Mercury's sexuality than the group itself, or its music.
It seems clear from reading the book and the acknowledgments that the author gathered a ton of quotes from interviews and other sources over the years and used that to write the book. Unfortunately, he didn't go much beyond the quotes to find any detail and will toss off things that should be explored but aren't. The result is a choppy novel with virtually no narrative or details. Let me give you some examples. He mentions that John and Roger were going through extreme emotional problems during The Miracle and then says nothing about what those problems were. Other lines tossed off - Roger being arrested, Freddie's friendships with Elton John and Rod Stewart and how they all gave themselves female names, and John running the business side of the group. The author also tosses out general statements about how tough Queen was to work with and how they would sit in on record company marketing meetings but that's it. There are no statements or stories to follow up and tell you what went on in the meetings or what they did to get that reputation. Brian's "Star Fleet" record is described by merely using the liner notes! How about checking with the others on the record to give us some detail? Or interviewing Brian about it? Nope, that would involve work and since there aren't many existing quotes about it, it gets pushed aside like so much about Queen. There are some new interviews with Freddie's classmates and Billy Squier, but they don't add much.
The only thing he does seem to want to provide detail about is Freddie's sexuality and way too much of the book is concerned with when people knew that Freddie was gay. Those statements are always followed up and the author goes to great and insupportable lengths to bring Freddie's sexuality into his lyrics. There's probably more in the book about when Freddie's India classmates found out Freddie was gay than there is about John Deacon in total. Freddie's affairs with different men are detailed but John and Brian's affairs get a couple of lines, if that much.
In addition, it's obvious that the author doesn't like Queen's music and holds the band in slight contempt. I don't want it to be a fan book like "As It Began," but the author's dislike means that he gives short shrift to songs and albums he doesn't like. About two-thirds of the songs are given one line about how bad they were and that's it. The author doesn't like Jazz (which he states, I'm not just inferring this) and so that album is barely mentioned. In fact, there's more written about the party to celebrate Jazz than there is about the actual album. I'd like to hear more about the songs and their creation, not have them dismissed because the author didn't like them. You can learn more about how the band worked by watching five minutes of "A Making of A Night at the Opera" than this entire book. The lone mention of how the band created music together is pathetic because all the author did was watch the often-shown footage of the making of "One Vision" and transcribe it.
There are a couple of new stories but nothing that would make a Queen fan buy the book. I had high hopes for this book and hoped to hear some new stories and insight but left disappointed and feeling ripped off. You can learn far more from reading Brian May's soapbox on his website than this book.
12 of 12 people found the following review helpful.
waste of time and money…
By triknite
...disrespectful, mocking at best toward all 4 members of queen and downright degrading of Freddie. Blake couldn't even muster the decency to show some humanity when telling of the awesome strength and bravery Freddie displayed in the last year of his life. This guy even finds ways to negatively pick at Queen's triumphant Live Aid performance and make asinine jabs at all the stars who showed up at the concert 6 months after his death to honor Mercury and raise money for AIDS research-- and ones who didn't. There are so many reasons why this is not the book to buy or borrow but i will wrap up with this: Blake has a lot of trouble telling Queen's story without piling on his mostly hateful opinions. He doesn't even bother with reporting the correct date of Freddie's death but oh who cares? Obviously not Mark Blake. One thing he does care about though is that we need to forget about the whole Freddie Mercury nonsense. Blake refers to him as Fred Bulsara over and over and over through the whole book. Why?? If Blake's subject was David Bowie, Elton John, Sid Vicious, Lady Ga Ga would he be compelled to repeat his/her 'real name' ad nauseam? Something about Freddie (and Brian, Roger and John) rubbed Blake the wrong way. Mercury would have been amused!
16 of 17 people found the following review helpful.
Not so hot
By cinders2012
This book is rife with typos, punctuation errors, etc. Somebody did the spell check but didn't proofread it.
That said, there are anecdotes and band history that I had never read before. I guess as a Queen fan, I still want to read more about their musical virtuosity though. When you view the concert DVDs you see the great chemistry they had, so I think more upbeat anecdotes would have made this a better read. Some of it is clearly cobbled together from interviews on their DVDs. Seemed thrown together. Wait for it in paperback.
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